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JANUARY 4 – 15H30 > 18H00 |  GRANDE AUDITÓRIO, FACULDADE DE BELAS-ARTES DA UNIVERSIDADE DE LISBOA

Free entrance, but registration is required.

For more information or support about registration please contact anavicente@fba.ul.pt
Gary Hill (b. 1951, Santa Monica, CA) has worked with a broad range of media – including sculpture, sound, video, installation and performance since the early 1970’s. His longtime work with intermedia continues to explore an array of issues ranging from the physicality of language, synesthesia and perceptual conundrums to ontological space and viewer interactivity.

Exhibitions of his work have been presented at museums and institutions worldwide, including solo exhibitions at the Fondation Cartier pour l’art contemporain, Paris; San Francisco Museum of Modern Art; Centre Georges Pompidou, Paris; Guggenheim Museum SoHo, New York; The Henry Art Gallery, Seattle, Washington; Museum für Gegenwartskunst, Basel; Museu d’Art Contemporani, Barcelona; and Kunstmuseum Wolfsburg; Museum of Contemporary Art (MOCA), Los Angeles; MIS – Museu da Imagem e do Som, São Paulo, Brazil; Musée d’Art Contemporain de Montréal, Montreal, Quebec, Canada; Center for Contemporary Art, Tel Aviv, Israel, among others. Commissioned projects include works for the Science Museum in London and the Seattle Central Public Library in Seattle, Washington, and an installation and performance work for the Coliseum and Temple of Venus and Rome in Italy. Hill has received multiple fellowships from the National Endowment for the Arts and the Rockefeller and Guggenheim Foundations, and has been the recipient of numerous awards and honors, most notably the Leone d’Oro Prize for Sculpture at the Venice Biennale (1995), a John D. and Catherine T. MacArthur Foundation Fellowship Award (1998), the Kurt-Schwitters-Preis (2000), and honorary degrees from The Academy of Fine Arts Poznan, Poland (2005) and Cornish College of the Arts, Seattle (2011). He was recently awarded the Genius Award in Film by The Stranger, Seattle 2011.

Recent projects include directing Beethoven’s opera Fidelio which premiered at the Lyon Opera House and Feedback Path, a monumental multi projection installation in the Grotte du Mas D’Azil, France.